By Ben Ayaydin
Another great year at the National Theatre’s Connections Festival has been and gone. Friday night started off with Dawn King’s Salt, directed by Bridie Smith and performed by Dimensions Performance Academy… Continue reading Salt – National Theatre Connections
By Ben Ayaydin
The Winter’s Tale is back at the National Theatre following a sell out run in 2018… Continue reading The Winter’s Tale – National Theatre
By Ben Ayaydin
Imperium I: Conspirator is a Royal Shakespeare Company production, based on the Cicero Novels by Robert Harris and adapted by Mike Poulton. It is the first play… Continue reading Imperium I: Conspirator – RSC
By Ben Ayaydin
There is a buzz of excitement and anticipation as the audience settles into their seats. Suddenly, from the side aisles the cast ascend to the stage, around 20 of them in their authentic 1940s clothing. A note from a harmonica is played, then the cast burst harmoniously into La Vie En Rose… Continue reading Absolute Hell – National Theatre (Ben’s Review)
By Ben Ayaydin
When I think of Mozart I think of formality; an authoritative figure who took the 18th Century classical music scene by storm. My mind was quickly turned…
Continue reading Amadeus – National Theatre (Ben’s Review)
By Ben Ayaydin
The Twilight Zone has an interesting premise. The play consists of a combination of different episodes from the hit TV show of the same name… Continue reading The Twilight Zone – Almeida Theatre (Ben’s Review)
By Ben Ayaydin
I went into Albion with an open mind and little information about the plot except that it was set in an English garden. Part of me was expecting something similar to an episode of the Archers… Continue reading Albion – Almeida Theatre (Ben’s Review)
